Synopsis: Who doesn’t love an orphan story? Anne of Green Gables, the Boxcar Children, or Secret Garden, anyone? This story has all the charm of these stories, as well as an intriguing mystery and refreshing realism. Maud is an orphan who doesn’t fit in well at the asylum, and when the Hawthorne sisters come to adopt a little girl, she is defiantly singing “The Battle Hymn of the Republic” at the top of her voice in the outhouse. Thus begins her unconventional relationship with the Hawthorne sisters. She is to be a “secret child”, about whom nobody is to know. Maud is so desperate to leave the awful orphanage that she doesn’t care that she has to stay inside and hide when visitors come. Only after she has been with them for a while does she discover their secret life that they have been hiding from her.
Rating: Very, very good. I’m not sure why this didn’t get a Newbery honor.
Opinion: I especially enjoyed the quality of writing in this book. The author obviously has a great appreciation of language:
Maud was altogether blissful. For the first time, she
was wearing the white muslin dress that was her best,
and she was drunk with the glory of so much lace.
Hyacinth had tied the bow of her sash and encouraged
her to adorn herself with her new glass beads. Maud
felt almost too fine to breathe. She sat dagger straight,
cut her food into minuscule portions, and ate with
impeccable daintiness. [p. 102]
I really enjoyed the fact that the bad characters aren’t pure evil and the good characters aren’t angels. Maud is basically a good kid at heart, but she’s also stubborn, proud, and willful. Hyacinth appears an angel to Maud, but she is self-serving and doesn’t truly care for Maud or anyone else. Muffet, the family servant, seems slow and unintelligent at first because she is mute, deaf, and makes a moaning noise when she walks (with a limp); however, she is very smart and learns sign language quickly. And while the ending is predicable, it is the resolution that the reader longs for the entire book. This is a very satisfying book to read.
I read this book because a patron recommended it to me. Widge is a boy who has been bought from his master and is apprenticed to a man, Mr. Bass, who wants to steal Shakespeare’s play Hamlet, for his own theater company, and he wants Widge to help him. Widge was taught a shorthand writing by his former master, which Mr. Bass wants him to use while watching the play. Widge is good at the shorthand, but when he goes to the play, he is caught up in the story and misses large pieces of the dialogue. He returns to a second play to get the missing pieces, and on the way out, he discovers that this writing tablet is missing. When Widge returns to the theater to recover it, a player catches him, and to cover his tracks, Widge declares that he is there because he wants more than anything to be a player himself.
The reason I read this one is that it is the featured juvenile selection for
My husband thinks that this book should be about the girl written from the dog’s perspective. But it’s not. It’s a book about the girl. The dog is involved in the plot, but does not play a major narrative role. Just to set things straight.

